Monday 1 March 2010


The contrast between Seraphine and her German patron was beautifully done. I am left with images of her glowing face, the sounds of her mutterings and the steel heels of her boots on the cobbles, and his quiet concern for her. The part of the his sister was also a gem, with hints to Otto Dix's portrait of Sylvia von Hauden. Yet another great choice from the festival director.

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