Oh dear. Pseuds' corner or what. I think we may have found the Borderlines Golden Turkey of 2010 with this one. This looked to me like the work of a first year film student with far too much money. There some striking images, the contrast between the chiselled features of the protagonist and the soft delights of his temptress being one of them, but it is easy to light and edit tableau. The final fortress may have been entered just by using the imagination, but I needed more than that to enter this film, and I found nothing. At almost two hours, it certainly touched the limits of my control.
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